The modern classical guitar has its foundations established in the 19th century through the instruments of Antonio de Torres, whose constructive solutions defined the proportions, structure, and sonic identity of the instrument. Throughout the 20th century, this tradition was reinterpreted by luthiers such as the French maker Daniel Friederich, who refined acoustic control and dynamic response, articulating constructive precision, sound projection, and timbral balance. The model presented here engages with this historical lineage, integrating principles inherited from Torres with the contemporary approaches consolidated by Friederich.